Ever wonder what Chuck's books look like in Romania? Wonder no more!
Cemetery Dance Publications is the world’s leading specialty press publisher of horror and dark suspense, with names on its roster ranging from Stephen King to Justin Cronin. Recently, with The Painted Darkness, the company tried its hand at ePublishing, and the results offer more evidence that old school publishing methods are, well, quickly becoming a thing of the past. Usher in the future as Joshua Jabcuga interviews Cemetery Dance publisher and executive editor Richard Chizmar and Brian James Freeman, Cemetery Dance’s managing editor and author of The Painted Darkness.
Brian James Freeman's new novella, The Painted Darkness, is currently the WOWIO Free eBook of the month: http://www.wowio.com/book-of-the-month
The Library of America has released a hardback selection of Lovecraft's finest stories. As a result I have been revisiting this important pulp author's fiction, and I find myself returning to a question I have often asked myself about Lovecraft. What is the reader meant to feel? Terror? Edification? Relief at not being confronted with unnamable horror in the Real World?
Gary Shteyngart, author of the New York Times Bestselling novel Super Sad True Love Story recently sat down with me over a hummus and whole grain sandwich (I opted for ham and brie on croissant – not the healthy choice by any means) and smiled as I peppered him with questions regarding said book, his thoughts on MFA programs (he teaches one at Columbia), and his tenuous relationship with technology.
As part of a new push to create more awareness of all the wonderful things we have going on in our Writer's Workshop, each month we are going to 'unlock' one of Chuck's exclusive craft essays.
As you may or may not know, back in 2004, Chuck Palahniuk and I decided to unveil a new feature on this website whereby up and coming writers could hone their craft with review and thorough feedback by their peers. But Chuck decided to up the ante by offering to pen an original craft essay on writing... every month. At the close of each essay, Chuck would issue a "homework assignment" to the reader that would involve applying the lesson he just taught into their next piece of writing.
This process continued for a total of three years, resulting in 36 original craft essays on writing that you won't find anywhere else online. Mind you: these are lessons you'd normally have to pay $20,000+ in an MFA writing program to attain, being offered to you by a best-selling writer on this very site. The essays soon graduated into Chuck actually reading and reviewing 6 original submissions by up and coming writers every month, with plans to choose the best selection at the end of the year for inclusion into a Writing Anthology... that he will be editing himself.
Through it all, the core essense of this movement was the Workshop itself and the work that was being submitted there. Today, we have writers who are being published for work they honed and crafted in our very workshop. You can usually tell what the good stories are and who the authors are who are going to go far, by the level to which they learn and apply Chuck's writing tenants... tenants which were taught to him by Tom Spanbauer in his Dangerous Writing program and in turn, were handed down by their mentor, Gordon Lisch.
So to convince you all of just how much of a vital resource these essays are to writers hoping to finish that novel, submit that short story, or even brush up that poem, we are chosing a different essay every month, and making it free to the public. This is a feature that you would normally need a Premium Membership to access.
This month we are unlocking Chuck's second essay,
This essay will remain open to the public for approximately 30 days. If you don't want to wait, and prefer to read all 36 essays, as well as 14 thorough Q&As with fans and of course, access to our groundbreaking Workshop where you can submit your own writing samples, stories, novel chapters, poems and even screenplays, for peer review... then go ahead and:
We've got a strong month for stories and an incredible month for Chuck's in-depth feedback we'd like to share with you. Read on.
The finalists include:
Dietary by Brandon Tietz
A Vodka Kind of Girl by Matt Egan
Western Eyes by Brien Piech
Mating Calls by Tony Liebhard
F for Fake by Tyler Jones
Relics by Joe Johnson
Congratulations to our finalists!
If you'd like to participate in our ground-breaking workshop, read exclusive How-To craft essays from Chuck and just network and meet other writers,
You know the drill, folks. Every month a new book is selected and a new moderator steps up to lead the discussion. This month, our reading is already underway on Gary Shteyngar's bestseller Super Sad True Love Story.
Here's the write-up from Amazon:
Welcome to the day after tomorrow. In Gary Shteyngart's near-future New York, the dollar has been pegged to the yuan, the American Restoration Authority is on high security alert, and Lenny Abramov, the middle-aged possessor of a decent credit score but an absurdly low--and embarrassingly public--Male Hotness rating, is in love with the young Eunice Park. Like many of the clients of his employer, the Post-Human Services division of the Staatling-Wapachung Corporation, he'd also like to live forever, but all he really wants is to love Eunice. And for a time, despite the traditional challenges of their gaps in age and ethnicity and the more modern hurdle of an oppressively networked culture that makes your most private identity as transparent as the Onionskin jeans that are all the rage, he does. Super Sad True Love Story is as corrosively hilarious as you'd expect from the satirist of Absurdistan and The Russian Debutante's Handbook, but what may surprise you are the moments when the satire hits bedrock and the story becomes--no air quotes required--sad, true, and very much a love story. --Tom Nissley
Hot on the blood-slicked heels of last year's Blood's A Rover, James Ellroy returns with The Hilliker Curse, a memoir of his quest for atonement through women. Curse is a soul laid bare, an open chest wound at risk of infection, where anyone can stick their grubby little mitts in and poke around. Lesser authors might balk at displaying such honesty, but Ellroy remains committed to the cause. He is doing important work, telling important stories. This one just so happens to be his own.